Hai Veniti Flacai La Joc. - Dumitrita Visnevschi, Nicolae Negru,v. Lemnaru, V. Oancea, V. Craciun

Fast-paced, rhythmic dances requiring high agility from both the dancers and the trumpet/accordion players. 3. Regional Significance

The work is specifically noted as originating from the region of the Republic of Moldova. In this geographic context, the music of Vișnevschi and her ensemble—often associated with the group "Tradiția mantasilor" —serves as a vital link between historical folklore and contemporary celebratory practices. Fast-paced, rhythmic dances requiring high agility from both

The performance features a collaborative "lăutari" ensemble, with each member providing a distinct layer to the traditional soundscape: In this geographic context, the music of Vișnevschi

Percussionist/Drummer ( doboșar ), essential for driving the high-tempo dance beats. This paper examines the musical collaboration titled "Hai

Trumpet ( trompetă ), providing the melodic "edge" common in Bessarabian folk suites.

This paper examines the musical collaboration titled "Hai veniți flăcăi la joc" (Come, Lads, to the Dance), a performance rooted in the folk traditions of southern Bessarabia (Republic of Moldova). Through the vocal leadership of Dumitrița Vișnevschi and an ensemble of skilled instrumentalists, the work serves as a modern preservation of traditional hore and sârbe , essential to the regional "voie bună" (good mood) social fabric. 1. Artistic Lineup and Ensemble Roles

"Hai veniți flăcăi la joc" is more than a song; it is a document of the "Lăutari" tradition in Southern Moldova. By combining vocal calls-to-dance with expert brass and percussion, the ensemble preserves the authentic energy of Romanian/Moldovan village life for digital and live audiences alike.