: Critics point out that the film serves as a bridge between the artistic triumphs of earlier Italian epics like Fabiola (1949) and the massive surge of muscleman epics that would eventually dominate Italian cinema.
The 1953 film (released in English as Frine, Courtesan of the Orient ) is a notable entry in Italy's post-war "peplum" or sword-and-sandal genre. Directed by Mario Bonnard , the film is a stylized dramatization of the life and trial of the legendary ancient Greek hetaera, Phryne. Review Summary
: The climax centers on her trial for impiety. Her defense is led by the orator Iperide (played by Pierre Cressoy), her true love.
: Critics point out that the film serves as a bridge between the artistic triumphs of earlier Italian epics like Fabiola (1949) and the massive surge of muscleman epics that would eventually dominate Italian cinema.
The 1953 film (released in English as Frine, Courtesan of the Orient ) is a notable entry in Italy's post-war "peplum" or sword-and-sandal genre. Directed by Mario Bonnard , the film is a stylized dramatization of the life and trial of the legendary ancient Greek hetaera, Phryne. Review Summary
: The climax centers on her trial for impiety. Her defense is led by the orator Iperide (played by Pierre Cressoy), her true love.