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: This academic article specifically uses Paglia's theories to analyze the famous bust of Nefertiti. It explores how the sculpture’s "sensuous androgyny" and "sexual ambivalence" contribute to its enduring celebrity.
: An original 1990 review from The New York Times that discusses Paglia's "scorched-earth attack" on liberalism and feminism.
Camille Paglia’s seminal 1990 work, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson , argues that Western culture is defined by a persistent struggle between two opposing forces: the (male, rational, orderly) and the Dionysian (female, chaotic, chthonic nature) . Paglia posits that civilization is an artificial "swerve" away from the overwhelming power of nature, which she describes as indifferent and "red in tooth and claw". Sexual personae : art and decadence from Nefert...
: A review from the McGill University ARC Journal that describes reading the book as an "adventurous roller-coaster" and a necessary counterpoint to standard feminist ideology. Historical Reviews
: Published in the Claremont Review of Books , this detailed retrospective examines Paglia’s "anti-feminist" turn and her career-long battle against academic trends like post-structuralism. : This academic article specifically uses Paglia's theories
Below are interesting articles and reviews that explore the book's themes and its enduring, controversial impact: Comprehensive Overviews and Retrospectives
Camille Paglia's Ambiguous Critical Legacy - Manhattan Institute Camille Paglia’s seminal 1990 work, Sexual Personae: Art
: This Manhattan Institute article analyzes her central theory that males lead the rebellion against nature while female desire is the instrument through which nature attempts to "smother humanity in formlessness".