In the real world, there are no outlines—only where one shadow meets a lighter area.
Focus on the "under-plane" (the nostrils and septum) rather than the bridge.
Use a blending stump or tissue, but don't overdo it, or the drawing will look "muddy."
Drawing a realistic face is less about "talent" and more about training your eyes to see shapes rather than symbols. Most beginners fail because they draw what they think an eye looks like, rather than what is actually there. Master the Proportions
Draw "clumps" of hair first, then add individual strands as highlights last. The Power of Texture
The top lip is usually darker because it tilts away from overhead light.
Use gradual transitions to create the illusion of curved skin.
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