Specialised edition developed with advice and guidance from the Thomas Pocklington Trust
Compatible with:
JAWS and other screen readers
Dolphin SuperNova and other magnification software/hardware
Google and other captioning software
Learning to touch type is considered one of the most beneficial skills for visually impaired and blind individuals. This is because it allows them to transfer their thoughts easily and automatically onto a screen. It provides them with an invaluable tool and asset for independent working and communicating.
Learning to touch type at any age can dramatically boost confidence, self-belief and independence. However, teaching learners with visual impairment at an early age can drastically transform their experience whilst at school and in FE/HE. It puts them on a more even standing with their sighted peers and opens doors to new career opportunities.
Achieving muscle memory and automaticity when touch typing increases efficiency and productivity. However, most importantly, it frees the conscious mind to concentrate on planning, composing, processing and editing, greatly improving the quality of the work produced.
The KAZ course is a tutorial and is designed to be used independently or with minimum supervision. However, a structured lesson plan is available in Administrators’ admin-panels should they wish to teach the course during lessons.
Module 1– Flying Start - explains how the course works, teaches the home-row keys, correct posture whilst sitting at the keyboard, and explains the meaning, causes, signs, symptoms and preventative measures for Repetitive Strain Injury. Mono Select (Original Mix)
Module 2– The Basics - teaches the A-Z keys using KAZ’s five scientifically structured and trademarked phrases. : Auditing in mono helps reveal if the
Module 3– Just Do It - offers additional exercises and challenge modules to help develop ‘muscle memory’, automaticity and help ingrain spelling. Mixing Methodologies (by DAW) HOW TO CREATE A
Module 4– And The Rest - teaches punctuation and the number keys.
Module 5– SpeedBuilder - offers daily practice to increase speed and accuracy.
: Auditing in mono helps reveal if the lead vocal, kick, or snare are too loud or too quiet. It is recommended to mix by importance—starting with the most critical element and adding others one by one. 3. Mixing Methodologies (by DAW) HOW TO CREATE A MONO REALITY CHECK FOR PRO TOOLS
The primary goal of a mono mix assessment is to ensure the track maintains its clarity and impact when summed to a single channel. Many playback systems, such as club PA systems , smart speakers, and mobile devices, often output audio in mono or near-mono. A mix that sounds professional in mono will generally sound superior in stereo. 2. Technical Evaluation
To prepare an effective report on a —typically referring to the process of auditing or finalizing a track in a single-channel format—you should evaluate its mono compatibility , frequency balance , and translation across different listening environments. 1. Executive Summary
: Verify if any instruments or vocals "disappear" or become "thin" when summed. This often indicates phase cancellation issues from heavy stereo effects.
: Use the mono environment to identify frequency masking. Without panning to separate sounds, you must use EQ to ensure each element (e.g., two different guitar parts) occupies its own spectral region.
: Auditing in mono helps reveal if the lead vocal, kick, or snare are too loud or too quiet. It is recommended to mix by importance—starting with the most critical element and adding others one by one. 3. Mixing Methodologies (by DAW) HOW TO CREATE A MONO REALITY CHECK FOR PRO TOOLS
The primary goal of a mono mix assessment is to ensure the track maintains its clarity and impact when summed to a single channel. Many playback systems, such as club PA systems , smart speakers, and mobile devices, often output audio in mono or near-mono. A mix that sounds professional in mono will generally sound superior in stereo. 2. Technical Evaluation
To prepare an effective report on a —typically referring to the process of auditing or finalizing a track in a single-channel format—you should evaluate its mono compatibility , frequency balance , and translation across different listening environments. 1. Executive Summary
: Verify if any instruments or vocals "disappear" or become "thin" when summed. This often indicates phase cancellation issues from heavy stereo effects.
: Use the mono environment to identify frequency masking. Without panning to separate sounds, you must use EQ to ensure each element (e.g., two different guitar parts) occupies its own spectral region.
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