Unlike standard subtractive synthesis, which filters harmonically rich waves, Chiral begins with the "unconventional contortion" of a simple sine wave. By manipulating phase directly, users can bend and fold the waveform into complex, atypical harmonic structures that range from fragile, glassy leads to dense, inharmonic glitchscapes. Core Technical Architecture
Offers Single Cycle Waveform export , allowing users to capture their custom contorted waves for use in other samplers or wavetable synths. Conclusion
Includes native support for microtuning, expanding its use into non-Western or experimental tonal systems. Fors Chiral [Max for Live]
The primary engine, controlled by Size , Bend , and Fold knobs to twist the sine wave into new forms.
Chiral is celebrated for its "turn any knob and it sounds good" approach. Users often highlight that while it is a single-oscillator synth—which may initially seem limited—the depth of the modulation matrix and the character of the reverb make it incredibly versatile for sound design. Polyphony: Supports up to 16-voice polyphony. Users often highlight that while it is a
Chiral is fully MPE (MIDI Polyphonic Expression) enabled, allowing for polyphonic pitch bends, slide, and pressure-sensitive modulation on every note. Workflow and Performance
This essay explores , a "holographic" synthesizer developed by Fors for Ableton’s Max for Live (M4L) environment . Developed by a team that includes Ess Mattisson (a key designer behind iconic instruments like the Elektron Digitone), Chiral is designed to prioritize experimental "newness" over the replication of traditional acoustic or familiar synth tones. The Philosophy of Holographic Synthesis Workflow and Performance This essay explores
A vast routing system that allows for multi-dimensional control, making the synth feel "alive" through internal and external modulation.