We see more of Suzuki's internal monologue. He isn't just killing for Kokoa; he’s killing to maintain the only version of himself he likes—the "protector."
Enma Akiyama’s art style becomes noticeably sharper and more distorted during Suzuki’s moments of "realization." The wide-eyed innocence of the early chapters is being replaced by a hollow, sunken look in the characters' eyes. Red Flags: What to Watch For Next We see more of Suzuki's internal monologue
The "stalker" wasn't the only one with secrets. 📍 Analysis: Why Chapter 10.5 Matters We see more of Suzuki's internal monologue